Some people have been surprised that modern violins could sound as good as a Stradivarius, but in three well documented tests now, this has been proven to be the case. Photograph (Form). Using another set of wood, also carefully selected, John, Steve Sirr, and Steve Rossow have completed another Betts copy violin. Using our new process of reverse engineering, and choosing wood carefully, we can make consistently good sounding violins that are comparable to instruments made in the past and not accessible to the public. He used two or three different labels. By 1781 he was working independently and hired his first apprentice around that time. Professional violin, to quote a veteran Gypsy style player. Violin by the Workshop of John Betts, London, c.1810 It is preserved in fine original condition except for the pegs and bridge. | Composite, newer top (19th century) original back and sides. please inquire . John Betts (1752 - 1823) was apprenticed to Richard Duke in 1765 before becoming established independently in 1781 in Holborn, then the Royal Exchange. Betts Workshop Violin, London circa 1820 | SOLD Here is a picture of Raymond Shryer smoothing the top for the Betts copy with a scraper. Intl: +44 207 175 1737 (b Stamford, Lincolnshire, 1752; d London, 1823), One of the most important and influential violin makers in England in the eighteenth and early nineteenth centuries, John Betts was born in Stamford, Lincolnshire, in 1752. 1871, Violin by Giuseppe Guarneri, Cremona, ca. Fax: +1 212 202 4660, Tarisio London He is holding the violin we made there. Company number: 9889926. John Betts - Maker - Brompton's Auctioneers He was a pupil of Richard Duke, and, in the few instruments made by himself, showed that he had imbibed much of Duke's lore. JOHN BETTS A VIOLIN, LONDON, CIRCA 1780 Unlabeled, branded at the button BETTS ROYAL EXCHANGE LONDON, branded at the end pin J. BETTS, length of back: 13 13/16 in. This website uses cookies to ensure that we give you the best user experience. He became known as an expert dealer and businessman, and was appointed Official Valuer of violins to the Customs Office. In June of 2011, Steve Rossow, Steve Sirr, and John Waddle went to Oberlin, Ohio, to participate in the Oberlin violin makers workshop. photograph | 35 photographs : color | Photograph (Form). Once we have obtained quality CT scans of a violin, we can analyze its physical properties, density, mass, linear measurements, volumes, etc. John Betts, London, c.1790 - Benjamin Hebbert If you currently own a John Betts Violin, click the button below to receive a free valuation: 2023 Brompton's Auctioneers Limited | The First Floor 33 Percy St. London W1T 2DF, Web design by Karolo The Betts Project - Rossow Violins Betts business became a focus for the market for old Cremonese violins. Normally one violin, viola, or cello, is made by the class (up to varnishing), strung up "in the white", and played, as a group project during the two week session. You already have a Tarisio account. . Kurfrstendamm 28 He famously bought the 'Betts' Stradivari violin for the sum of one guinea from a naive customer around 1820. The varnishing was be done by Jeff Phillips and Antoine Nedelec in Oberlin. In 1765 he moved to London to apprentice with Richard Duke and after seven years he became shop foreman, eventually buying the business from Duke's daughter. , circa 1814Violin, John Betts Suite BCampbell, CA 95008(408) 879-9930Mon - Sat 9am - 5:30pm. Photograph (Form). London, W1G 9RL JOHN BETTS, NO, 2, NORTH PIAZZA, ROYAL EXCHANGE, LONDINI, FECIT, JANUARY 9, 1782 John Betts London. We also have a selection of instruments and bows for private sale all year round. All rights reserved. It was in this environment of exquisite craftsmanship that this violin was created a few years before John Betts death. (born February 17, 1949 in Moncton, New Brunswick) is a teacher and a New Brunswick politician. Betts hired many English luthiers that when on to achieve great success, including members of the Hill family (W.E. Web.. https://www.loc.gov/item/ihas.200155591/. In 1781 he was established independently in Holborn, moving to Royal Exchange in 1782. The 1704 Betts violin is named after John Betts, a violinmaker in London who bought the violin in excellent condition for one guinea in 1820. Tarisio 2023, The Muntz, Bower, Lam, an exceptional violin bow by Franois Xavier Tourte. John Betts was born in Stamford, England, in 1752. How much is my John Betts Violin worth? Ward of London. It was given the the Library of Congress in Washington, DC, along with several other Cremonese masterpieces, by the last owner, Mrs. Gertrude Clarke Whittall in the mid 1930's, and remains there today. Established 1982 Tel: 020 7249 9398 . In 1781 he was established there independently and in the following year he moved to the Royal Exchange, where he remained for the rest of his career. John Waddle has assembled the violin, varnished it and set it up. Tel: +44 (0) 20 7354 5763 He most often worked from the Amati model. The Betts violin was the focus of the 2011 Oberlin Workshop, and John Waddle, Steve Sirr, and I were excited to have renowned makers such as Gregg Alf, Chris Germain, Bill Scott, Raymond Shryer, and Sam Zygmuntowicz join us in working on a group project creating a copy of the Betts, using a top, back, neck, and scroll that I had carved using CT . John Betts, Violin, c.1790, London ~ Frederick W. Oster Fine Violins Betts Workshop Violin, London circa 1820 | SOLD - Martin Swan Violins In the United States, the 'Betts' found a home first in the collection of John Taylor Roberts, [32] and then with Gertrude Clarke Whittall, who, in 1935, donated it along with three other Stradivari instruments a violin, a viola, and a cello and four Tourte bows to the Library of Congress of Washington, D.C. John Betts school: fine antique English violin circa 1820 - Corilon violins Cookie Policy He . This area corresponds with the dimensions of the original fingerboard giving a clue to the range of notes that a musician could play. Email: Photography by Ellen Broughton. About the violin. The striking one-piece maple back of medium and broad curl descending from left to right; the maple ribs of narrower curl; the maple head of broad curl; the two-piece spruce table of mostly fine grain narrowing toward the flanks; the varnish a golden . In June of 2011, Steve Rossow, Steve Sirr, and John Waddle went to Oberlin, Ohio, to participate in the Oberlin violin makers workshop. Violin by Antonio Stradivari, Cremona, "Betts". Highest auction price achieved. - 115 auction price results. He was born in 1752 in Stamford and died in 1823 in London. Privacy Policy Because of his great knowledge of the history of violin making, Betts was an excellent copyist. Arthur & John Betts | Tarisio Next to it is a CT scan of the back. Violin - John Betts | Baroque Violin Shop He came to London to work for Richard Duke in Holborn in 1765. the last line being written. Here is a picture of the 2011 Oberlin Workshop participants. We offer buyers and sellers a bespoke private sale service, sourcing exceptional instruments and bows and matching them with the most discerning buyers Tim Ingles and Paul Hayday will offer an initial evaluation of the authenticity and value of your instrument or bow to recommend an auction estimate and reserve price for your instrument or bow Tim Ingles and Paul Hayday will offer an initial evaluation of the authenticity and value of your instrument or bow. He made his own instruments as well as collecting and trading the work of old masters. John Dodd and Thomas Tubbs were among the shop's best suppliers of bows. John Betts violin label. John R. Waddle Violins Inc. - Instrument Making The Strad magazine has generously allowed us to reproduce two articles in this presentation: Exhibition Report: Born in the USA (July 2006) and National Treasure (November 2006). In 1923, Jay C. Freeman of Wurlitzer approached Waddell in Scotland and came away with the "Betts" as well as the "Leduc" Guarneri. Brompton's is delighted to offer complimentary Violin appraisals for insurance, probate or sale purposes. His refusal to allow Charles to profit from the purchase led to the partners falling out. The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. Under the sole ownership of Arthur, the workshop became incredibly skilled at imitating the work of the great masters and participated in some of the ethically short-sighted restoration practices that went on during the Victorian era. Betts instruments tend to exhibit very high standards of . Retrieved from the Library of Congress, https://www.loc.gov/item/ihas.200155591/. John Betts came from Stamford, Lincolnshire, and came to London in 1765 to apprentice with Richard Duke, rising to become the shop foreman after seven years, and eventually buying the business from Dukes daughter, reforming the company under his own name by 1781. Vincenzo Panormo also worked closely with Betts and certainly provided the expertise in making that brought about a change from the Stainer- and Amati-modelled work that Betts himself specialised in, towards fine Stradivari copies. London, England c. 1790-1810 Length of Back: 36.0 cm Upper Bout: 16.1 cm Middle Bout: 11.0 cm Lower Bout: 20.0 cm Certificates on file: Bein & Fushi 1984 William Lewis and Son 1957 , circa 1790Violin, John Betts Instrument Making. The "Betts" is among the most legendary violins from Stradivari's workshop. It continued into the 1860s under the direction of Arthur's sons Arthur II and John II before finally closing in 1867. He died in 1823, leaving the business to his younger brother Arthur, who learned the craft from him. If you choose to continue using this website, you agree to our use of cookies. John Betts cello, London circa 1810 John Betts cello, London circa 1810 First Name (*) Last Name (*) My Phone. Kemp Hall Passage, Its everything we look for in a violin: the perfect combination of warmth, projection and flexibility of tone. 43883.00. This instrument is now in my possession, and in excellent condition, having been recently repaired by Mr. J. W. Owen of Leeds. Gregg Alf was in charge of the varnishing of this violin, and did a beautiful job. Here is a picture of the 2011 Oberlin Workshop participants. If you are a person who is fortunate enough that you can afford to buy a genuine Stradivari, Guarneri, or Amati, by all means, you should do it! The whole event was documented by NHK TV of Japan. 1795 John Betts for Sale at Fine Fretted String Instruments
Nebraska Firearm Purchase Permit Seward County,
Wella Blondor With 40 Vol Developer Ratio,
Is Jill Campanella Still Alive,
Simran Kooner Dentist,
Articles J