His colourful and thought provoking conceptual paintings, prints, performance videos and installations draw on many different sources and styles. is inspired by the work of Jean-Michel Basquiat, the Haitian-American His three paintings titled. His paintings are not expressionist. Gordon Bennett - Notes to Basquiat: 911 - Search the Collection, National Gallery of Australia 5Unscripted: Language in Contemporary Australian Art, Art Gallery of New South Wales, Sydney, 20 May 24 July, 2005, The Galleries, Sydney Morning Herald, 9 November 1999, p. 17McLean I., Probability, rap and coincidence: notes to Basquiat in Gordon Bennett: One Tense Moment (episode two), exhibition catalogue, Sherman Galleries, Sydney, 1999, unpaginated (illus. I think it seeks to go beyond the words on the paper into a world of metaphor, allegory, images and ideas in order to say something that may not be said with just words.3, 1. Bennett directly referenced the work of many other artists throughout his career, including Jackson Pollock, Piet Mondrian, Kazimir Malevich and Vincent Van Gogh. Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett | National (Ed.). Bennett directly referenced the work of many other artists throughout his career, including Jackson Pollock, Bennett makes art that questions accepted versions of history, often taking historical artworks as his starting point. Possession Island 1991 ; Signed; . In 1998, ten years after his death, Bennett wrote an open letter to Basquiat that explained his motivations: To some, writing a letter to a person posthumously may seem very tacky and an attempt to gain some kind of attention, even steal your crown. ), 31, Gordon Bennett was a painter of history and histories. Write an article and join a growing community of more than 163,400 academics and researchers from 4,609 institutions. With the invitation to exhibit in a contemporary art fair at New Yorks Gramercy Hotel as catalyst, in 1998 Bennett embarked upon his celebrated Notes to Basquiat series paying homage to the work of Neo-Expressionist painter Jean-Michel Basquiat the first African American to receive international art world acclaim who also shared a similar preoccupation with semiotics and visual language as instruments of marginalisation. signed, dated and inscribed verso: G Bennett 3-9-1999 / NOTES TO BASQUIAT: (ab) original / [], Sherman Galleries, SydneyGene and Brian Sherman collection, Sydney, Gordon Bennett Notes to Basquiat: One Tense Moment (episode two), Sherman Galleries, Sydney, 5 November 4 December 1999, cat. 120 x 80cm NOTES TO BASQUIAT: (AB) ORIGINAL, 1999 | Deutscher and Hackett document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Gordon Bennett Notes to Basquiat (911) 2001 synthetic polymer paint on linen 182.5 x 304.0 cm, http://www.abc.net.au/arts/blog/arts-desk/Gordon-Bennett-artist-who-scaled-heights-of-artworld/default.htm, Psycho-social and psychological perspectives on religious violence (week4). revealed. A humanist at heart, Bennett created works which are grounded in personal experience and an authentic voice. Gordon Bennett's paintings in the late 1980s and early 90s were informed by theories about appropriation - the borrowing of images from other artists and visual sources - and by post-colonial theories about identity and history. Aboriginal, Torres Strait Islander and other First Nations people are advised that this catalogue contains names, recordings and images of deceased people and other content that may be culturally sensitive. At the entrance to this exhibition, there is an excerpt from the artists notebook from December 1991. Access more artwork lots and estimated & realized auction prices on MutualArt. Notes to Basquiat: Myth of The Western Man, 2001 . This echo is surely intended as Butler claims that Bennett's last decade of work (post-Notes to Basquiat, [after 2002]) resorted 'to an easy irony' - a 'cynical postmodernism' - as if he 'may be running out of inspiration.' However, farce does have its [2] lessons and perhaps speaks more truthfully to our age. The price achieved of AUD 4,700 ( 2,835) was within expectations - the estimate range had previously been given by the auction house as AUD 4,000 - 5,000. Copyright 20102023, The Conversation US, Inc. Of course, this price has nothing to do with the top prices that other . Australian artist Gordon Bennett's exhibition, a powerful attack on systemic racism, is called Be Polite. some essentialised past, they are subject to the continuous "play" of Paul Guest OAM QC under the Cultural Gifts Program 2018. Copyright or permission restrictions may apply. (LogOut/ John CitizenInterior (Tribal Rug) 2007acrylic on linen152 x 152cmCollection: Private, Brisbane The Estate of Gordon Bennett. Gordon Bennett was one of the leading artists of his generation and received widespread recognition internationally for his striking . The main reference for Notes to Basquiat (The Coming of the Light) is not Basquiat's imagery, but one of Bennett's early paintings, The Coming of the Light (1987). GORDON BENNETT (b. Unfinished Business: The Art of Gordon Bennett Gordon BennettNotes to Basquiat: Boogieman Blues 1999acrylic on linen182.5 x 182.5cmCollection: Private, Adelaide The Estate of Gordon Bennett. Search the catalogue for collection items held by the National Library of Australia. It weaves . Bennett not only borrows images from the work of American artist Jean-Michel Basquiat, but also begins to mimic Basquiat's spontaneous and gestural urban style of painting, reflecting his involvement in the graffiti culture of the United States. Synthetic polymer paint on paper NOTES TO BASQUIAT: MODERNITY, 1999 | Deutscher and Hackett Notes to Basquiat was named for the American Jean-Michel Basquiat (196088), a precocious young artist of Puerto Rican and Haitian-American heritage, originally a graffiti artist, whose star flamed brightly in the energetic international art world of the 1980s; Perfect teeth riffs on Basquiats own paintings. Inscription. The persona of John Citizen partly represents 'the Australian Mr Average', but is also a kind of disguise for Bennett. other as human beings in the world of material existence, even though Eccles, J. past efforts to "explain" myself - it reads: "Cultural identities are Deliberately inconclusive original, archetype, manuscript, master, parent etc Notes to Basquiat: (Ab)original eloquently attests to the compelling possibilities offered by Bennetts art and its embodiment of a process being kept in play; and as he poignantly muses, Poetry doesnt seek closure on its meaning. Read more: Gordon Bennett Neo-Expressionism | by Exposition Art Blog | Medium Major retrospectives of his work toured Icon and Arnolfini galleries and Heine Onstad Kunstsenter in Europe during 19992000, Australian State galleries between 20072009 and The Netherlands in 2012. by Greg Tate which reads: "To be a race-identified race-refugee is to Artlines | 1-2013 | Publisher: QAGOMA | Editor: Stephanie Kennard. Synthetic polymer paint on linen / 183 x 152.3 x 3.2cm, The Estate of Gordon Bennett Private Collection, Adelaide, Gordon Bennett Australia 1955-2014. Such is reiterated by the works unfolding lines of text the same but different / different but the same a notion which not only reverberates throughout the entire series, but is similarly reflected in Bennetts knowing relationship to Basquiat and his practice. Provenance. This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to . ^ Terry Smith, "Australia's Anxiety," History and Memory in the Art of Gordon Bennett, Birmingham: Ikon Gallery, 1999, p. 17. Measurements. Conflict, Violence, Peace & Art: Notes to Basquiat (2001) by Gordon This major display, drawn from the National Gallery's collection, brings together works by First Nations and non-Indigenous artists from across Australia, including work by artists from Asia and the Pacific. why. born 1955. This education resource accompanies the retrospective exhibition Gordon Bennett (2008) which showcased 85 works by this internationally acclaimed Australian artist.Bennett's art engages with historical and contemporary questions of cultural and personal identity, with a specific focus on Australia's colonial past and its postcolonial present. Sonia Boyce explores her own sense of self in relation to media images of blackness and whiteness in the work From Tarzan to Rambo Get to know Theaster Gates. For example, expressionism features in the highly visceral Outsider (1988), which replays Van Goghs Starry Night. Gordon Bennett was an Indigenous Australian artist whose work primarily conveyed indigenous identity struggles, particularly through the subject of colonization and racial injustice. View upcoming auction estimates and receive personalized email alerts for the artists you follow. You lost your balance. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia Notes to Basquiat: Double vision2000Gordon BENNETT. secure our sense of ourselves into eternity, identities are the names Gordon Bennett - Sutton Gallery Notes to Basquiat: one tense moment, Bellas Milani Gallery, Fortitude Valley, Jun1999Unknown, Biennale of Sydney 2000, Museum of Contemporary Art, Australia, 26May200030Jul2000, Outsider/ insider: the art of Gordon Bennett, AAMU, Museum of contemporary Aboriginal art, Utrecht, 21Jun201209Dec2012, Mmoires vives: une histoire de l'art aborigine, Muse dAquitaine, Bordeaux, 16Oct201330Mar2014, Australian art and the Russian avant-garde, Art Gallery of New South Wales, Sydney, 29Jul201729Oct2017, Carnivalesque, Art Gallery of New South Wales, Sydney, 23Jun201828Oct2018, Jrme Bellay (Editor), Le Journal du Dimanche, 'L'art aborigne, la croise des mondes', pg. This conversation is manifest quite literally when Bennett drafts a letter to the - then already deceased - Basquiat, outlining his reasons for emulating his style. Michel Basquiat and the "Dark" side of Hybridity" by Dick Hebdige, in Gordon Bennett's artwork is on display at Tate Modern in Artist and Society: Citizens. ibid., p. 22, Important Australian + International Fine Art. Thus, the oppressive ideologies and events surrounding colonization have been detrimental to the cultural identity of Aboriginal people and has consequently affected their social wellbeing today. Gordon Bennett Notes to Basquiat: Modern Art, Sherman Galleries, exh. Gordon Bennett | Notes to Basquiat (1999) | MutualArt Pollocks action painting is presented as a form of cultural appropriation of First Nations sand painting in Notes to Basquiat: Bird (2001), and those same active lines form the veins of Bloodlines (1993). They reference the massacres of Aboriginal people in Myth of the Western man (White mans burden) (1992) and The nine ricochets (Fall down black fella, Jump up white fella (1990) and question the valorising of Captain Cook in Big Romantic Painting (Apotheosis of Captain Cook) (1993) and Possession Island (1991). we give to the different ways we are positioned by, and position ourselves )Man + Space: Kwangju Biennale 2000, exhibition catalogue, Kwangju Biennale Foundation, South Korea, 2000, p. 273 (illus. Synthetic polymer paint on paper Gordon Bennett explored indigenous past through his conceptual art, Retrieved August 24 2014, from, http://www.smh.com.au/comment/obituaries/gordon-bennett-explored-indigenous-past-through-his-conceptual-art-20140627-zsnql.htm. I was excited to find in the essay "Welcome to the Terrordome: Jean About; About. Code #:14841 LOCATION: Redfern NSW . He also wrote an open letter to the dead artist celebrating their cultural and artistic similarities, as well as their shared love of jazz, rap and . In his recent book Rattling Spears: A History of Indigenous Australian Art (2016), art historian Ian McLean argues that anger is the consistent emotion expressed by Bennetts work. Bloodlines 1993 View sold prices. )Israel, G., Senior Artwise 2: Visual Arts 11-12, Jacaranda Press, Milton, Queensland, 2003, (illus., front cover and p. 163)Murray Cree, L., Twenty: Sherman Galleries 1986-2006, Craftsman House / Thames and Hudson, Melbourne, 2006, p. 123 (illus. Sold at Auction: Gordon Bennett - Invaluable
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