Jantje Friese and Baran bo Odar, who also created the streamer's hit 'Dark,' are back with another meta mystery, this time set on a migrant steamer at the turn of 19th century. The Hollywood Reporter is a part of Penske Media Corporation. We can see that even if you dont really understand what words are being spoken, you understand what the other person is trying to communicate. By the end of Season 2, we're dealing with a number of different time periods spanning more than 100 years but we're also introduced, in the last seconds of the finale, to the possibility of an entirely new and potentially identical dimension. Here are all these hints who will figure out [what] at what moment? What happens when you have all these different cultural backgrounds, that are put into a space like this? In the next phase I actually put it in pen. Dark couldnt cast people who were too distinct though, in the interests of the mystery. The two resulting timelines are more than just metaphorical reflections of each other. It evokes images of the 19th century but combines them with almost science fiction technology and pop tunes on the soundtrack. I love challenges, and I get bored very easily, even on set. Was this scene always part of the plan or was it something that developed in the writing? We're way closer to America than we are actually to India. Thats why, for me, its a very happy ending, even though it feels very sad. No one is just evil because they want to be; everyone is reacting to their own hurts and wounds. We didnt try to make it easier. And we're just waiting for the moment where someone shows up and says, 'April Fool's! And then something thats quite important for series, especially compared to movies, is the whole world-building process. What kind of symbols do you use? You can never give a satisfying answer. [1] Work [ edit] Jantje Friese studied production and media management at the University of Television and Film Munich. By the end of the second season, the timeline of Dark has become more of a time-web, with certain characters now able to hop back and forth through time without adhering to the 33-years rule, while other characters discover that certain people they meet are actually their own future selves. But the people creating the show needed more elaborate tracking methods. And then the pandemic happens, the show was supposed to be shot in a very traditional way, where we would have gone to a water tank and we would have built ship set pieces and traveled to other countries to shoot scenes there and stuff like that," he says. Jantje Friese - IMDb Another part of the series that was touted when it was first announced was that 1899 would not be entirely in German, like Dark, nor would it be in any one language. What other Easter eggs did you plant throughout the season? And if you ever tried that for one day, it is really weird and awkward.. Go Behind the Cutting-Edge Technology of 1899. Jantje Friese: It was actually really weird because I think there are so many people, especially in the industry, who are working, working, working, working to finally get to that moment of. In the series, a boy goes missing in the small German town of Winden, and as the series unspools, viewers learn that secrets, time travel, and a metaphysical battle between good and evil are behind that mystery. Something Is Killing the Children Netflix TV Show in the Works - The At first, they were like, Really? So it was obviously challenging and not possible to do it in a traditional way. Was that deliberate? For a long time, even already in film school, we had this urge to change that, to really have characters from particular countries speak in their own voices, because language really defines character. "I would say culturally, there's a lot of difference between German Europe and India. And Odar has a bit of advice to viewers: "We do love to play with genres and expectations. Is that aMatrixreference? With that being said, is there still a story to tell in the universe of Dark, or do you feel closed at this point? Friese: Some people have already found a lot of the imagery and paintings we used [throughout the series]. They will never be able to overcome their inner longings, their ego. "I think we created a very small world, to be honest, on Dark. But it also means props-wise, you have to change a lot of things like books and bookshelves. So you have 999. Others will take more time because they might think its about the Bermuda Triangle or whatever. "Because in their arc, the narrative is straightforward. Although the show begins as the story of international immigrants on a steamship headed to America at the turn of the 20th century, by the end of the season we learn that the ship was a simulation, and our protagonists are actually on a spaceship in the year 2099. Whats the space in which youre telling your story? We had old material that was actually a different story a couple of years back, she said. Then at some point, when I feel stronger or happier with whats there, I put it down in pencil. That [story] was already during development for Season 1. Published Jan 26, 2023 There was much more to untangled in the criminally cancelled show. Sometimes on set, the actors would deliver a really great performance, but they used the wrong hand. Interviews with leading film and TV creators about their process and craft. "It was really nice that [Dark] was so well received, especially because it is a very weird, complex show in general," Odar admits. If seeing an entire reality flipped in the last season of Dark seemed jarring, know that it felt just as dissonant to the people helping to bring it to life. So every riddle we put in there, we feel we have to solve it, she said. Thirty-three years, the number [if you flip the first three around] is, combined, an eight. "And obviously, this will only happen if enough people watch, but the way that we approached development and how season 1 is ending, you kind of want to have another one. We wanted to make sure we got there. Now I can spoil it: There is already a hint in Episode 1 when everyone is raising their teacup at the same moment. Then if you know something about simulation or content creation in that space, maybe youdo understand what that means in our context. You can change anything. It gives this other world a huge chance. Baran bo Odar: As we have so many different timelines and characters, we would figure out things like, if we use a certain color in this decade, we wont use it in another one. the prospect of diving into another twisty metaverse from the minds of Dark creators Jantje Friese and Baran bo Odar likely comes with equal measures of excitement and trepidation. That was the thing Claudia wanted to achieve. Its just a nice nuance with which to end. Odar:Every episode [when] someone wakes up, you hear almost like a computer voice. We already have so many timelines; revamping them for other timelines and then building them for the mirroring? ", "There is a lot in the DNA that is kind of close to Dark in terms of the puzzle and needing an engaged active audience," Friese says. What were some of the bad ideas that got tossed out? No, we just forget them immediately. Did you learn anything surprising working across so many different languages? bo Odar:Thats a message to Final Draft: Work on that script notes function. Its not every word but you learn how a language sounds and, especially if you do a lot of takes, you get really used to it. Its also an interesting time because there were such extreme points of view back then. When the crew decides to board the Prometheus, things take a horrific, and decidedly weird, turn. Heres Everything You Need to Know, The Outer Banks Season 3 Trailer Just Washed Ashore, 1899 Ending Explained: Series Creators Reveal the Easter Eggs Leading to the Shocking Finale. You have to change the titles on them and mirror them. Dark only really got complicated in seasons two and three. There are so many ideas and concepts out in the world, said Friese. We really try to be very true to our core audience, which just loves puzzles but also knows every code and every cultural reference. Friese also warned viewers from making assumptions about certain characters, such as Jonas mother Hannah (Maja Schne), who has done rather unforgivable, selfish, and malicious acts throughout every timeline. Do you feel you have said all there is to say about these characters and this world? Baran bo Odar:We told them from the get-go; it was already in the script. So, a very simple example: In French, you can address someone in a formal or an informal way. We thought it better to shift the puzzle pieces around. Thats crazy because that like, usually you have to look for for nose [physiology] because thats the most [obvious] pointing thing.. We realized that was insane to do on costs. To mirror the world we know, we could either do that by rebuilding all of the sets. In an interview on Zoom, the Playtech team spoke to the producers and some of the cast of the psychological thriller 1899. . Odar: We always wanted to plant computer wording. ", Odar explained that, if you're looking to keep track of everything, follow the symbols. They would go, God damn it! In terms of the working process, what was good for us was to talk to the people who worked onThe Mandalorian and find out how they did it. For example, if a stair goes from left to right, in the other world it would go from right to left. Did the actors all know about the ending? We spoke to Dark co-creators Baran bo Odar and Jantje Friese about saying farewell to the series, the spiritual and mythological influences they crammed into the third season's eight episodes, and how in the world they managed to keep everything straight. One is theme, the other is character and the other is plot. Friese: We are big believers in ambivalence. bo Odar:Yeah, they really didnt understand each other. To create an illusion that the virtual space is a three-dimensional space its fascinating. How difficult was it to interact with the actors when youre performing in a language you dont understand? Do you already have the world of 1899 built out in your mind for the potential next two seasons? That was actually very difficult to have a big enough pool of women to choose from, which I thought was quite sad.. Friese: There was supposed to be a scene in season two that got cut out. Hannah reveals shes thinking about Jonas as a name for her unborn child. Jonas and Martha sacrifice themselves and their own worlds in order to stop the loop and save the origin world. "India just picked up that show a couple of months ago, and now it's really huge in India," Odar said. bo Odar: It was a bit tricky at the beginning. There are actually two things. We added a glitch to it. The entire first season was filmed at the Dark Bay LED studio on the Studio Babelsberg lot outside Berlin. While we still mourn the 1899 premature cancellation, star Rosalie Craig reveals showrunners Jantje. Andreas Pietschmann plays Captain Eye Larsen in 1899. Thats where we basically put the groundwork, going for deterministic time travel rules. I think you have to watch carefully, because every little piece means something. Related 1899, which made the TIFF Primetime Program Im obsessed with history, seeing how everything is related to each other, seeing the reasons for things. You were really, like, lovesick after filming was done. Is one powerful family to blame for the deaths of five people in the wilds of South Carolinas Lowcountry? Like if one stone starts to roll, and hits another and that ends up leading to the First World War. There were a lot of [directions] we knew we wanted to go, but didnt necessarily know at which points in the narration we would address them. Do you view it as a happy ending? When it came time for Martha (Lisa Vicari) to take on some of the some iconography that in previous seasons was associated with Jonas (Louis Hofmann), that exchange between the two main characters made for a moment that forced them and series co-creators Jantje Friese and Baran bo Odar to recalibrate a little. For Louis, being on set and shes entering the room with his jacket, the first reaction was like, Give me back my jacket! 2023 The Hollywood Reporter, LLC. But now Im fine. Now we finally fill in the gaps and you see how the circle plays out. I personally feel that a lot of very great philosophers came out of from German history. And the older they get, it gets worse, said Friese. FrieseThat was the whole point of the show. Its what we love about this thing. I think what was the most surprising thing was that there are actually some words that you cannot translate into certain languages, or they have a different feeling or nuance to it. But the novel is so voluminous that the miniseries format makes more sense." The ultimate example of that is Season 2s epic revelation that police chief Charlottes (Karoline Eichhorn) mother is actually her daughter Elisabeth (Carlotta von Falkenhayn) through more time travel shenanigans. You will never know the answer. Friese knows the reason for his injury and eye patch, but wouldnt reveal what happened. In other [projects] weve done before, we dont like to end on a dot. In terms of diversity, thats actually really one big thing that when you have people crossbreeding through different timelines you really cant just throw in something because then otherwise you would kind of know whos is whose child, said Friese. ", If all goes according to plan, fans have many more episodes to look forward to. Jantje Friese (born 1977) is a German film producer and screenwriter known for co-creating the Netflix series Dark (2017-2020) and 1899 (2022) with her creative and romantic partner Baran bo Odar. Never mind that in her own time, everyone including her son was facing a certain apocalypse. Friese: When we started to research games, simulations, constructing virtual realities, [we learned] the way that content is created is that you use tetrahedron structures to basically build everything. Sign up for THR news straight to your inbox every day. Old Ines (Angela Winkler) in actual life has a mole, so you put that on younger Ines when you tried to make them match..
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