I reached out to David at Hardcases.ca and got both a Nanuk 918 with padded dividers and a Nanuk 904 with foam to fit these babies. Contax Zeiss should be on your radar for a couple of reasons. Zeiss has their own language, their own nomenclature, for lens designs that is very useful to be familiar with as you start hunting for lenses. remained behind in the ruins of the city of Jena, trapped behind the Iron Curtain. I prefer it, cuz theres an honesty there I appreciate. to use on my Komodo. The price was pretty good and Im the type of person that can buy something just because the price is good. Heres the answer to all of this, broken down. The 35-70 doesn't move when the camera tilts. They have a pleasing organic rendering that is not dissimilar to Contax. Micro contrast and color reproduction is fantastic as well. Its not. But on CERTAIN LENSES (with wide barrels) you def see it prominently at your SECOND and THIRD F-stop position (counting wide open as your FIRST position), For example, I notice it by far the most on my 35 1.4 and 85 1.4. Time. It's more like the image jumps! For me the 35mm F/1.4 has become a go to lens while working as a DP. If you want something ready to use from the get-go, Id say this is not for you. In my experience, Japanese and German lenses are equally good. ZF/ZEs only go as far as 135mm. I remember someone doing a test a when the epic first came with stills lenses and noticed it too. 18mm is way too close to 21mm, plus lots of reviews mention its not-impressive performance. The Carl Zeiss Vario-Sonnar T* (C/Y) 35-70mm f3.4 was a standard zoom lens designed for the Yashica and Contax series of film SLR cameras. Contax Yashica lenses - German vs Japanese: Adapted Lens Talk Forum I thought I knew a bit but I just learned so much! Proof of this is that arguably their most famous lensthe 21was ONLY made in Japan. The 21/2.8 was a must. was migrated to Stuttgart under the watchful eye of American troops. Theres a lot of discussion whether the 135mm f/2.0 has a clear advantage over the f/2.8, especially when you take into account the price difference. AE lenses also show ninja-star bokeh when stopped down, which is a major turnoff for some folks. I always took the 135 with me and some of my favorite photos come from that time. Note: My hunch on the latitude/low con deal is as follows. Its agreed that MM lenses perform better and have cleaner results than AE lenses, theyre also less prone to flaring. Wide open it's one of the sharpest F2.0 wide angle lenses available and it has very little distortion. The Zeiss ZF is phenomenally sharp and modern, which I found good for general and macro photography but I found unpleasant of for portraiture. By the 1960s, competition from the Japanese led to the eventual shuttering of both subsidiaries - even as the larger Zeisss stayed in business. After that, B&H and ADORAMA are great choices. Not saying the 135/2 isnt worth it the investment, its just much heavier and harder to carry as a walk-around lens. X. X. This is an endeavor Ive been working on and off for the last two years and now I can see the finish line. And. These have less elements (6?). Contax Zeiss Survival Guide. B) They share very similar designs as the ZF/ZE/CP2 lenses, but for or the price. Its regarded as one of the best 21mm ever made, and to this day they still use the same formula for the 21mm f/2.8 ZF/ZE primes. That information was usually written in the lens case, and the focal length was on a sticker attached to the lens cap. What IS the Ninja-Star? Heres a very interesting article that summarizes tech papers published on these designs and their differences, pros and cons. 77mm front. They are much more closer to a Super/Standard speed look then the modern zeiss glass including the Cp2s. Its the one I always took with me and it gave me gorgeous shots. That was rad :). That information was usually written in the lens case, and the focal length was on a sticker attached to the lens cap. Another major advantage to the Contaxs is the sheer SIZE of the lineup. Learned a ton. In terms of a look, weve shot with both and there is a clear difference to me. It was intended to be a cheaper alternative. I've noticed these designs are more likely to create punchy, contrasty images, too. Contax rangefinder - Camera-wiki.org - The free camera encyclopedia These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. The Contax dont look vintage to me, but they also dont look modern. Its history criss-crosses wars, politics, and conjures up the never-ending battles between Leica and Zeiss. I own them both. All times are GMT-8. You can also tell their place of manufacture based on whats written on the lens! Theyre much cheaper than modern lenses, yet share similar designs and performance. It all started when I stumbled upon a post on Craigslist from a guy selling his Contax Zeiss set. Reduserforum "Contax Survival Guide" says is a good one. They dont have it. Canon EOS Rebel T6i (EOS 750D / Kiss X8i), Shedding some light on the sources of noise, Contax Yashica lenses - German vs Japanese, Re: Contax Yashica lenses - German vs Japanese, Sigma 23mm F1.4 DC DN Contemporary sample gallery, Sigma 50mm F2 DG DN Contemporary sample gallery, Sigma 17mm F4 DG Dn Contemporary Sample Gallery. Againthis is just a hunch on my part, dont shoot me 5) HOW TO SHOP FOR THEM - DON'T GET "G", "N", or "645". You can see, Ryan de Franco called my bluff recently, and he let me sit in on his informal test looking into how similar Contax in FACT areto Standards and Super Speeds. Theyre much cheaper than modern lenses, yet share similar designs and performance. Sharp wide open and has a floating element. Last point on the focus gears: the same way you always want to have a constant outside diameter, you want to place them on the lenses at the same distance from the mount. AEs and MMs all color match. DxO PureRAW 3 aims to come to their rescue without totally reinventing your workflow! The screws on the back of the lenses are tiny, and if you strip them, you cant get the new mount into place. The Fujifilm X-T5 is the company's latest classically-styled APS-C mirrorless camera. Its really not a huge deal. But I now have the 200 and I have to admit, the bokeh is very pleasing and captivating, and I prefer it. Blackmagic Forum View topic - CONTAX Zeiss lenses | BMPCC 6K I didnt think too much about them when designing, they just needed to fit around the ring, and our printer was painfully slow (M3D, Im looking at you). This is an endeavor Ive been working on and off for the last two years and now I can see the finish line. These babies were bleeding me dry. ----------------------------------------------------------, Oh, just to add I was watching the BBC drama 'Ripper Street' last night when I noticed a couple of shots with fairly extreme ninja star bokeh No technical information on IMDB as to what it was shot on/with sadly but you never knwo. thanks Nick im building Contax set in soon :). I'm thinking about a Contax tele, such as the 180/2.8 Sonnar. To fix that I took the stickers off, added a thin layer of glue, put the stickers back in place and let it all dry overnight. If I have a motor on the iris, itll have to be adjusted every time the lens is swapped. Next came the 60mm f/2.8 Macro. It looked neat, but from my experiences as 2nd Assistant Camera, I was constantly being asked how fast so-and-so lens was, or whats its minimum focus. So far, I had no previous love for Contax and a little bit of prejudice against Zeiss for making lenses too clean. This makes life easier when grabbing gear to go out and renting it as well. All I ever had so far was a Canon backpack and that is not a safe way to transport this grade of gear everywhere. They rack focus beautifully. Conveniently for me as I was finishing the set, SIMMOD Lens came into the picture, with very competitive prices, impressive customer service and super high-quality products. Your choice if you want them Cine-modded or not. I'm not that far from NYC, and head down every so often. The stills guys LOVE IT. . At this point the price argument was adding a lot of weight. My favorite lens switched to the 85/1.4 after that, though. Easy to see which one I loved the most back in 2015. The planar 35mm F/1.4, 50mm T1.4 and 85mm F/1.4, are among some of them. Thank you to Tito for a captivating read. I had a feeling Nick was up to making a guide like this. Old against New: Zeiss 2.8/28 vs Sony FE 2/28 vs Minolta MC 2/28 Theyre killer tools for video, but in order to achieve maximum performance, theres a number of steps and procedures to tackle. I started with the 28mm. As always very much appreciated. If anyone wants seven of the best Zeiss lenses ever made, PM me. It's starting to become not much of a secret anymore (you can tell by the rising prices). The screws on the back of the lenses are tiny, and if you strip them, you cant get the new mount into place. I was just ahead of the game, so it wasnt necessary on my case. If you're reeeaaaally on a budget and don't mind a very low contrast look, Zeiss Jena's are a guilty pleasure of mine. You have to admit they look sexy. This turns the original C/Y mount into a solid EF mount that wont budge for nothing. Standard lens, cant really make a set without a 35mm in it, right? KOMODO + Canon FD or Contax Zeiss + Focal Reducer After I got the five Contax I went to look for more info and found the Contax Zeiss Survival Guide at REDUser. Are usually 3.5 and F4. I like to add 0.3mm to the measurement to give me a little wiggle room after printing. Yes, its one step slower than the its siblings, but it definitely crushes them with razor sharp focus and a beautiful transition into bokeh. When the AE's flare, they generally flare white, evenly, and when overwhelmed by a direct source, can reveal a touch of green ghosting. You can also tell their place of manufacture based on whats written on the lens! In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best. I already talked about the mount replacements and focus gears, so Im left with standard fronts and de-clicking. Fairly "affordable" as well. I didnt think too much about them when designing, they just needed to fit around the ring, and our printer was painfully slow (M3D, Im looking at you). But then work started picking up and I saw that as the perfect opportunity to upgrade. Search. The Contax Zeiss Distagon 'Hollywood' 28mm F2.0 is a classic fast wide for full frame and is incredible on Super 35mm as well. Wide open, the 35 1.4 and 85 1.4 are fine (circular bokeh). This is a sticky topic. Stay current with regular CineD updates about news, reviews, how-tos and more. These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. If you are referring to breathing, there is some, but less than in many other still lenses. This is another trick to make lens swaps faster, since you wont need to adjust your follow focus back and forth on the rig. To check if I did it, just follow me on Instagram as I post all my lens experiments there! ALL of my MMs do NOT have the Ninja-Star, so Im going to say this is a Maxim. Finally completed my set of modified Contax Zeiss lenses. In this guest post, Vancouverbasedfreelance filmmaker and an anamorphic lens freak TitoFerradans,is exposing us to hisContax Zeiss CineTune-Up Guide. Filter. Contax also made very impressive Zooms. E) They are very easy to cinemod. I havent tested these much yet, and I ended up not doing standard outside diameters. We noticed this specifically on a shoot where we mixed Leica Rs and Contaxs, and the Contaxs def gave us about a stop extra in latitude. So all you do is get a Cine Ring with the rear thread of your lens and thats gonna make it standard! Thanks for the advice nick. check out the. Also because Soviet glass was super cheap. When designing your focus gears, keep the number of teeth constant for all the lenses. I find it charming, its a lot like the Cooke 8-blade star you see in the back of every True Blood Merlots shot, so I dig it. Adobe Photoshop and Lightroom impress in a lot of ways, but their noise reduction lags the competition and their lens corrections lack a real-world basis. Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. I don't want to feed your addiction or be your pusher or cause a break-up in your marriage or relationship but KEH has a "like new" 21/2.8 Distagon for $1,950.00. Because the Contax lenses are noticeably more low-con than even Leica Rs their contemporaries, you will notice more latitude in your image. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens. Posts; Latest Activity; Photos . Zeiss AE lens information I found a link to this awesome Zeiss Contax lens brochure, dated October 1975 (12 MB). The Standards were w/out a doubt the sharpest wide open. It also has built-in color filters which I freaked out when I realized how to turn them. Well done mate. Finally found the old MTF charts for each of the Zeiss Contax lenses. These babies were bleeding me dry. People (me included) didn't like the poor performance of the Canon EF wide lenses and the 21mm and 28mm 2.8 Contax lenses filled the gap. After aperture was made smooth and clickless I still had my 3d printer hanging around, so I printed aperture gears as well. The only thing I could maybe do later is update the markings on each lens with fluorescent paint like what you see here, by Moritz Schierenbeck on VLFVs facebook group. This is a sticky topic. It's cheapass ones I got from China. Bill that is an insane price for the 21, it's been hovering around 2,000 for as long as I can remember. I needed a proper case! Wide open the 1.4 is great, but the focusing ring just feels very clunky on my copy. Have a look at Kipon for something decent or Novoflex for first class a Zeiss deserves it. Zeiss AE lens information brochure, "The Finest Optics by Zeiss", All Time Today Last Week Last Month. They cover full frame, are super easy to adapt to many other mounts and never lose their value. The 85 is ridiculously fast with combo. The downside of such magnification is that the focus ring travels a lot, pretty much doubling the physical length of the lens. Its also quite similar to the modern 15/2.8 ZF/ZE offered by Zeiss, just a 2/3 stops slower. I personally own the 35mm and the 50mm. Both look awesome, and I think people are splitting hairs. We've combed through the options and selected our two favorite cameras in this class. The 15mm is a gorgeous rectilinear super wide angle, it shares the same optical formula as the Leica Super-Elmar 15mm f/3.5, with different coatings. What's the best camera for shooting sports and action? Lets go back to the 70s. For a little over a year, this was enough. After I read stellar reviews about the 28mm f/2.0 Hollywood, I went looking for one. As they were designed for photography, they have clicked stops, which has to be dealt with, but they all feature non-rotating front elements, which is a very valuable feature these days with vari NDs. Thank you! Now Im gonna move into streamlining it for shooting and making it the best possible lenses to handle on set. Then I sent that to be printed at StickerYou in vinyl stickers. To check if I did it, just follow me on Instagram as I post all my lens experiments there! This page was generated at 05:50 PM. You NEVER SEE it wide open, because the blades arent engaged. They are made in Spain, cost about 60 euros each and you install them on the back of the lenses using the provided screws. Those ocasional shots where you need to SNAP from one extreme focal length to another. If you do have a printer, I made a tutorial on how to make focus gears! On the 918 I keep the main six lenses of the set plus variable NDs and other filters. I'll definitely look into my adapter. The rubber grip on the focus ring of the lenses is awesome because it prevents the gears from sliding, but its also a pain because it makes the fitting a lot harder. After WW2, Zeiss was split asunder in TWO. Copyright 2007-2022. I prefer the FOV of a 25, but for the budget.the 28mm is amazing. AgThunderbird A7Riii | A7ii infrared mod | Minolta 7 . Tito Ferradans spent the last six years researching, writing and making videos about the anamorphic format and how to achieve it without breaking the bank on low-budget productions. 18mm is way too close to 21mm, plus lots of reviews mention its not-impressive performance. I needed the one extra stop of light though, for consistent f/2 or faster through the main set. Its a gradual process, guys. Next came the 60mm f/2.8 Macro. Thats where my obsession started. How can i get those lenses from you? makes SPECTACULAR permanent mounts for $75 (Duclos uses these, nuff said). I repeated the technique for the rear caps, this time with only the focal length written on them. Really. That said, many still photographers (and DPs) have gotten magic out of these lenses at an F2 or faster. This wraps the first step in building a set of lenses: getting the glass. In my experience, ALL AEs have the Ninja-Star. Landmine Media, LLC. Over the years, Zeiss has added new, fantastic designs, this can not be overlooked. Eastern Zeiss instead consolidated all their smaller name brands into PENTACON. Also the low-con coating does give you more latitude. Heavy, but sharp. But Zeiss was so precious about these lenses that some of them were only made in Japan and others in Germany. For a little over a year, this was enough. Collapse. https://www.reduser.net/forum/shooting-red/lens-tests/94346-contax-zeiss-survival-guide. We've been taking a look at what it offers and what it's like to shoot with. Yes, its one step slower than the its siblings, but it definitely crushes them with razor sharp focus and a beautiful transition into bokeh. Page of 320. The main difference being that a normal human can afford Contax Zeiss but not Leicas. Building this set was a great experience throughout. Germany vs Japan? (Heres where I beleive the Leica Rs have a clear advantage, their 19mm is a 2.8which is pretty amazing). I prefer the C/Ys but since I already own 3 FDs (cheap ones: 28 2.8, 50 1.8 and 135 2.8), I'm leaning towards the latter, although still undecided. So do you still wonder if Contax lenses are worth looking into? I would take Contax Zeiss over Canon "Cine Primes," Zeiss Compact Primes, or the new "Superspeeds" any day. Leica has announced a mono-only version of its M11 60MP manual focus rangefinder. Contax Zeiss lenses are the gems for sharp yet vintage glass. The Soviets were good enough for my own projects, but I needed something more reliable on this one. Total newbie question about connecting Zeiss Contax lenses to BMPCC Contax Zeiss Survival Guide - REDUSER.net That was probably one of the most stressful experiences of my life with lenses. Here are some things I got from it: Contax Zeiss lenses were designed for 35mm full frame, which means theyll cover all the way up to Vistavision sensors on modern cameras and anything smaller. 06-22-2022, 04:47 PM Hey, everybody, I know we have the awesome Contax Zeiss Survival Guide but looking at building a set of Zeiss lenses myself from bargain finds and fixer uppers I've collected, I wondered what anybody's experiences might have been with mixing Zeiss lineups together? Also ZF/ZE's tend to. The Contax Zeiss Survival Guide: 1) WHY SHOULD YOU CARE ABOUT CONTAX GLASS? For a while I didnt understand the need for 80mm fronts, so Ill share what I learned so others wont live too long unknowing like me! Informative and equally hilarious in parts :) I'm sure it will prove a resource for many many people over the years. Damn Nick! So I figured I would write up a little CONTAX SURVIVAL GUIDE that tries to answer them all at once Contax Zeiss should be on your radar for a couple of reasons. Zeiss was making Hasselblad lenses for Medium Format. check out the. However, the optical quality of the Contaxs is certainly very close to ZF/ZEs and many of the designs appear to have only subtly changed over the years, in particular the 21 2.8, 34 1.4, 50 1.4, and 85 1.4. Ron also offers the full mod service for great prices, including focus gears and lens mounts. There are DOZENS of lenses to choose from, that cover all focal lengths from 15mm to 500mm. I still dont know when to use them, though! Contax have a bit less contrast, and flare more. This website or its third-party tools use cookies, which are necessary to its functioning and required to achieve the purposes illustrated in the cookie policy. Regards. The AE's are no longer serviced by Zeiss, keep that in mind. The main difference being that a normal human can afford Contax Zeiss but not Leicas. If you want something ready to use from the get-go, Id say this is not for you. Originally launched in 1932 as a rangefinder system to compete with - you guessed it. This page was generated at 05:50 PM. They are made in Spain, cost about 60 euros each and you install them on the back of the lenses using the provided screws. check out the. Still on the DIY train, a friend and I had just bought a 3d-printer, so I started making my own focus gears. I needed the one extra stop of light though, for consistent f/2 or faster through the main set. Momentum picked up and I saw myself getting ready to DP a webseries pilot. It had five lenses: 28/2.8, 35/2.8, 50/1.4, 85/1.4 and 135/2.8. One last note on their generations, MMs were mostly made in Japan, so theyre called MMJs, while AEs were made in Germany and named AEGs. So far I had been using adapters on them, and they sucked. Contax Zeiss Survival Guide. Im a fan of DIY, so I decided to install the mounts by myself. Its awesome Western Zeiss glass. Then I sent that to be printed at StickerYou in vinyl stickers. So I respond to that more. Are usually 2.8. Momentum picked up and I saw myself getting ready to DP a webseries pilot. See the photo below! Certainly sharper than both its larger brothers, the 100 planar and 100 Macro. You could use it an any focal length and not really have any compromise relative the prime lenses of the time. This is a guide for people that love handling gear and tweaking little things here and there. To me, Contax are a GREAT way to affordably get a very real cinematic look from a golden age in Zeiss optics. This site uses Akismet to reduce spam. Chris Ware Media - Cinematographer, Photographer, Journalist Contax Zeiss. C) They have the older Zeiss T* coating that we also find on Hasselblads, Super Speeds and Standardsand as such have a more organic rendering on digital than ZF/ZE/CP2s. There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. Otherwise, the transition from AE was meant to be seamless. Every time I had to pick a lens I went for the 35mm f/2.8 instead. Heres the full line of glass. Copyright 2007-2022. So I kept using an adapter on that one (the best adapter I had). Your 50/1.7 is an AE lens, based on it's serial number and lack of green last numbersince made in Japan, it is an AEJ. Contax Zeiss Survival Guide - REDUSER.net They dilate quite a bit and fit much more easily. When the MM's flare, they control it much better (you have to force it more), but when they do, and the coating is overwhelmed by a direct source, the coating will break out into more distinct, tight Zeiss purple flare marks. Mirrorless Camera of the Year 2022 & Other Camera Candidates, Adobe Firefly for Video Announced Bringing Generative AI to Creative Cloud, CineD NAB 2023 Best of Show Awards go to DJI, frame.io, FUJIFILM, LumenArc and ZHIYUN, CineD at NAB 2023 - Visit our Booth, Win Prizes. I'm only saying that because the guys on the photography forums use these charts to compare numbers with other lenses they all refer to that page as the 'source'. If you like vintage flaring, the AEs are great. The lenses were made in two generations. The 50 should be among the easiest to get right because the optical path is among the simplest. Of course, that was way before RED and Leitax adapters. or Sign Up Log in with Search in titles onlySearch in Lens Tests only Search Advanced Search Forums Groups New Posts Today's Posts Member List Forum Shooting RED I'm planning on building a Canon FD or Contax Zeiss C/Y set (I read the Contax Survival Guide, thank you Nick Morrison!!!) Even the 21 is only a 2.8. Im gonna stop saying these lenses are sharp, because at this point its just standard! My 21mm CP.2 is probably my favourite lens that I own, lovely, lovely piece of glass. The Contax I is a high-end 35mm rangefinder camera made by Zeiss Ikon to compete with Leica models. This will ensure a constant outside diameter, which means you dont have to adjust your follow focus every time you change lenses. These I ordered from MOO, because they offered me more variety at a much lower price. In this buying guide we've rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best. ONLY "RTS". Or get a Duclos/Tokina 11-16. Check it out: Copyright 2007-2022. I will leave you with a few beautiful videos that will definitely help you make up your mind! The focusing ring on my 85mm AE is much smoother than my 85mm f1.4. I got all my standard 80mm fronts from him, as well as slip-on lens caps. Each page with eight stickers costed me about $10. Because the wides are slow, you will almost certainly need to compliment your kit with a Tokina/Duclos 11-16 2.8. I started using these lenses casually. The rubber grip on the focus ring of the lenses is awesome because it prevents the gears from sliding, but its also a pain because it makes the fitting a lot harder. For declicking, I read a lot of posts from people saying its a super easy process on Contax Zeiss lenses, but I didnt have the guts for it. 250 g approx. As a reference, my main set of lenses at this time was a Soviet kit that I put together because of their imperfections and organic look. 1. . I have no idea why this is so and why they continue to sell this dog which takes until at least 2.8 to get reasonably sharp. The one main difference I can see isas stated aboveI think the Contaxes cinemod slightly BETTER than ZF/ZEs (because they ALL focus the right way, and ALL have an aperture ring), and also ALL they have that wonderful older T* coating that I believe looks better on digital than the newer T* coating (renders more organically). The Contax Zeiss version fetches $800 on eBay but there's a $60 wolf in sheep's clothing called the Pentax PK 28mm F2.0 which has a fascinating story behind . As a reference, my main set of lenses at this time was a Soviet kit that I put together because of their imperfections and organic look. That was probably one of the most stressful experiences of my life with lenses. Its a gradual process, guys. The Contax 25mm 2.8 is good, but you may want to consider the 28mm 2.8 which is cheaper, and "technically" better. I repeated the technique for the rear caps, this time with only the focal length written on them. Anyone who says a lens made in Germany is better than the same lens made in Japan is full of shit. length (call Peter at RP lens, he can help), but if you can get them on your RED, they are also fantastic budget options. This page was generated at 05:50 PM. Expect there to be bidding wars on eBay now, the gates of CONTAX HELL have been unleashed. After I got the five Contax I went to look for more info and found Nick Morrison's Contax Zeiss Survival Guide at REDUser. And needed a new line of lenses for 35mm still photography. This was a game changer. Nick P. - lenses like your 35/2.8 and 50/1.4 with the last (largest) number on the aperture ring in green are MM lensessince made in Japan, they are called MMJs. Does not come with any adapter. The Sony FE 2/28 is brand new and the most expensive one at 450. I already talked about the mount replacements and focus gears, so Im left with standard fronts and de-clicking. Copyright 2023 Vintage Lenses For Video. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder. These are way more common in AE, but I was lucky enough to find a MM coming straight from Japan. I shipped all of them to SIMMOD for declicking and a quick checkup. X. X. thanks for the info! The 21/2.8 was a must. I get asked lots of questions. The 135mm f/2.8 was a great lens. Oh and I believe that where the results are for "Real Aperture" in those tests may actually be the measured T-Stop?
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